psychologist's office...

location: Raleigh, NC
completion date: 1998
project team:
Frank Harmon
Ellen Cassilly

project statement...

On many levels, the building is a metaphor: It interacts with its site and surroundings as gently as psychologists interact with patients; it rises among the trees and, with its central monitor, glows like a lighthouse in the sense that a psychologist becomes a patient’s beacon of hope; its construction is as accessible as therapists are with their patients. To generate positive psychological and physiological responses, the building’s space, form, and light were arranged not only for aesthetic and practical reasons, but also to create a sense of comfort, familiarity, safety and honesty.

our design response...

The building serves as offices and conference space for a group of psychologists. The owner wanted it to fit quietly into its predominately residential neighborhood and feel “home-like” without mimicking an actual residence, which, to the owner, would be dishonest. And honesty in construction was a key goal for this project. The building is flanked on two sides by modest two- and three-room houses with hipped roofs and porches. Encroaching development, which consists of plain, boxy commercial buildings and parking lots, flank the other two sides. A major city street (Oberlin Road) runs in front of the building, so parking was relegated to the rear.

The program called for a conference room, individual offices for the therapists, and private entrances for each therapist so their patients may enter a safe, secluded space without encountering other patients in an anonymous waiting room. To accommodate this need, and to create a spacious, central circulation area that doubles as a gallery for the owner’s extensive art collection, offices and private entrances/waiting rooms face each other across a central “court” beneath a large, monitor skylight, which is shaded in summer by deep overhangs. Offices and waiting rooms feature broad, interior clerestories so light from the central court floods into them as well. Windows and glass-block walls supplement the light from the court so that every room in the building receives natural daylight from both sides, which was an important functional element: People communicate effectively in good light.